Joyce Wieland Movies

An unreleased diary film shot during the Fairleigh-Dickinson Artist Seminar simultaneous to the production of Back and Forth by Michael Snow.

Zorns Lemma is a 1970 American structural film by Hollis Frampton. It is named after Zorn's lemma (also known as the Kuratowski–Zorn lemma), a...

In a Lower Manhattan industrial loft, a camera very slowly zooms into a photograph on a wall while various people occasionally enter and exit.

We do not actually see Pierre Vallieres, we see only his lips, his teeth, as he talks in French. English subtitles translate what he says. He speaks...

The movie takes a rather negative look at things despite the fact that it was shot in reversal film. It depicts the turbulent relationships of...

Hand Tinting, a five-minute silent study of young girls dancing, swimming, and observing one another by Joyce Wieland, […] has a quality that...

A serendipitous encounter with a younger artist gives legendary Canadian art icon Michael Snow the opportunity to reflect on his life and career.

The film consists primarily of degraded footage of landscapes shot from vehicles moving across the country; meanwhile, 537 computer-generated...

"I decided to make a film at my kitchen table, there is nothing like knowing my table. The high art of the housewife. You take prisms, glass, lights...

First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in...

Home movies shot on Super 8mm by W+B Hein over 10 years.

A camera moves back and forth at an increasing pace. Back and forth, back and forth...

You see nothing but a white, crystal white plate, and water dripping into the plate, and you hear the sound of the water dripping. The film is ten...

In this "fourteen-part drill for the camera," Frampton created a portrait gallery of his art-world friends engaging in a variety of ordinary...

About a strike in which women are involved, but told in a very different way.

Various unrelated vignettes, often juxtaposing sound and image.

A cat eats its methodical way through a polymorphous fish.

"The whole film are non-art portraits of people in which they do what they want with this hat – and therefore, act or stand in front of my...

A day at the Beach, at the Sea, at the Sky and at the Sailboats.

Joyce Wieland: “Hollis and I came back to Toronto on holiday in the summer of '67. We were staying at a friend's house. We worked our way...