Fluxus Movies

  • 1965
    Dots 1 & 2

    Dots 1 & 2

    Dots 1 & 2

    5.751965HD

    Single frame exposures of dot-screens.

    Dots 1 & 2
  • 1966
    10 Feet

    10 Feet

    10 Feet

    5.61966HD

    Prestype on clear film measuring tape, 10ft. length. No camera. At the end of every foot of film numbers appear, 1, 2, etc to 10

    10 Feet
  • 1966
    Je ne vois rien, je n'entends rien, je ne dis rien

    Je ne vois rien, je n'entends rien, je ne dis rien

    Je ne vois rien, je n'entends rien, je ne dis rien

    4.51966HD

    Seeing, Hearing, Saying Nothing. Ben stands with ears, eyes, mouth bandaged.

    Je ne vois rien, je n'entends rien, je ne dis rien
  • 1966
    The Evil Faerie

    The Evil Faerie

    The Evil Faerie

    5.21966HD

    Following a series of title cards, a man in sunglasses briefly flutters his hands like fairy. Owen Land states that this film was not made by George...

    The Evil Faerie
  • 1966
    Trace No. 24

    Trace No. 24

    Trace No. 24

    51966HD

    X-ray sequence of mouth and throat; eating, salivating, speaking.

    Trace No. 24
  • 1966
    5 O'Clock in the Morning

    5 O'Clock in the Morning

    5 O'Clock in the Morning

    4.51966HD

    A handful of rocks and chestnuts falling, filmed with high speed camera.

    5 O'Clock in the Morning
  • 1970
    Fluxfilm No. 37

    Fluxfilm No. 37

    Fluxfilm No. 37

    51970HD

    Face going out of focus by layering sheets of plastic between camera and subject.

    Fluxfilm No. 37
  • 1966
    Invocations of Canyons and Boulders (for Stan Brakhage)

    Invocations of Canyons and Boulders (for Stan Brakhage)

    Invocations of Canyons and Boulders (for Stan Brakhage)

    61966HD

    "INVOCATION is Higgins' Satie movie... the purest attempt to clear art from any or all historical, esthetic, thematic, ornamental claptrap to regain...

    Invocations of Canyons and Boulders (for Stan Brakhage)
  • 1966
    Trace No. 23

    Trace No. 23

    Trace No. 23

    5.91966HD

    Begins with a shot of a demarcation line on an asphalt tennis court. A hand points to the distant landscape, then numbers 408 and 409 appear on a...

    Trace No. 23
  • 1966
    Opus 74, Version 2

    Opus 74, Version 2

    Opus 74, Version 2

    4.81966HD

    Single frame exposures, color. Different image each frame, various items in the room, etc.

    Opus 74, Version 2
  • 1969
    Faire un effort

    Faire un effort

    Faire un effort

    4.31969HD

    Lifting and holding up a chest of drawers.

    Faire un effort